I was raised by both the microscope and the paintbrush. My path has always straddled the worlds of science and art—not in conflict, but in dialogue. As a child wandering through museums like the MoMA, the Met, the Guggenheim, and the Natural History Museum, I learned that art wasn’t just something to look at—it was something to enter. Those spaces taught me how light, texture, and structure can tell stories, and how design shapes the way we move through the world.

But it was my first childhood trip to Disney World that crystallized everything. Standing in those worlds where storytelling, architecture, sound, and movement became one seamless experience—I knew I wanted to design that. Spaces where imagination could be felt, not just seen. That moment sparked my lifelong fascination with immersive design and theme entertainment—places where art, science, and emotion collide to create magic.

With a background in Mechanical Engineering (BS) and Integrated Design & Media (MS), I design fluidly between systems thinking and creative experimentation. I’m now expanding that dialogue through MIT Professional Education’s Applied AI & Data Science Program, exploring how emerging technologies can enrich human experience.

My work spans motion design, UX/UI, experiential storytelling, creative writing, and fashion-inspired projects. Whether animating social-first content, building interactive prototypes in Unreal, or handcrafting couture-inspired dolls that merge set design, costume, and narrative, 
I use creativity as a bridge between imagination and innovation. Writing, for me, is part of that same process—it’s how I shape emotion, rhythm, and meaning before pixels ever move.

I believe creativity is a conversation between disciplines, ideas, and people. My portfolio reflects that conversation—open, experimental, and rooted in community. In a world that can feel fragmented, I see design as a way to reconnect us: where innovation meets humanity, and inspiration is something we share.